Born in 1992, I live and work in Geneva.

I am interested in the (re)circulation of signs that produce meaning in specific contexts of intervention. Using a case study approach, I pay particular attention to the traceability of images: their origins, their various generations, their copies and modalities of appearance. I also seek to examine the representations of art and the various ideologies and authorities that underlie them. As such, art in the public space and in museums are among my favorite subjects. My work is often accompanied by historiographical researches which are occasionally published.